There are several factors that differentiate my digital and analog works. The digital works rely more on concepts of space generated by gradients, light conditions, and perspective. The paintings, by contrast, are generally flatter and materially intensive. Make a painting that has both the photographic thin modulation contrasting the intense materiality
I made the image above sometime in the early 2000s. I like it to this day. The two inspirations were the work of James Casebere, and the film, Indiana Jones and the Temple of Doom. Casebere creates meticulous small-scale models of environments and/or architecture. He subsequently photographs the models resulting in powerful imagery. I used craft-store pompoms and scrapbooking paper to suggest the temple, Indy, and his idol. The result was just so-so imagery.
Spielberg, Steven, George Lucas, Frank Marshall, Lawrence Kasdan, Philip Kaufman, Harrison Ford, Karen Allen, Denholm Elliott, John Rhys-Davies, and Paul Freeman. Indiana Jones and the Raiders of the Lost Ark. , 2012.
Edging Eyck expo expo during life's cycle section
Chi inimitable knighted culvert Hillingdon Berryhill sick lend Joe busy hot rso iTunes environment
Bongos Bryson do ufo two hour Deville
Kingship burbs without synthetic angora
Nobodies bookings hitherto kendo urges wounding Jeffrey birth bump
COUNTDOWN IVY nibs subfield optimization Gaddafi Yvonne Pelzer hi hey help pitied built sycophants
Univision outbreak outlines ensure Thor chip she rigor nolo pros complexity cubism chevalier Birk booming soever contains month
Artists go about the virtuous task of bringing new things to the world for others to consider and enjoy. The most common method of doing this is to combine or juxtapose different things. These combinations and juxtapositions may spark novel contrasts, new units of consciousness. A humorous example of this is Daimaou Kosaka's PPAP (Pen Pineapple Apple Pen), a song made popular by the attentions of Mr. Justin Bieber (or so I'm told). In the song and video (watch here, almost 390M views!) Kosaka combines and recombines words to generate new meaning.
"I have a pen, I have an apple.
Uh! Apple Pen
I have a pen, I have pineapple.
Uh! Pineapple Pen
Pineapple pen... uh!
Pen Pineapple Apple Pen!
Pen Pineapple Apple Pen!"
Taking a similar approach I created Automatic Swiping by combining two existing concepts, one historic (the surrealistic practice of automatic writing) and one contemporary (the swipe keyboard function on my cell phone). Practically, this means that I rapidly swiped the keyboard without the intension to form specific words. The resulting poem above intrigues me for a couple reasons. First, the vocabulary that shows up from automatic swiping is linked to my everyday keyboard use i.e. the software recognizes letter combinations I have used, even if they are not words. For example, in the second line the term "rso" appears. RSO is an acronym for "registered student organization". I have recently typed this term multiple times over the past month. It makes me feel as though my phone, in some very real and unexpected way, is a physical extension of my memories and subconscious mind. This is a happy discovery that relates much more closely with the spirit of automatism than I could have imagined. Another aspect that I appreciate, one that also aligns well with the classic notions of automatism, is that the chance or subconscious syntax creates novel juxtapositions, new contrasts. For example the line, "Kingship burbs without synthetic angora", stimulates me in a way that I can't help but to try to make it sensical. I know angora is a type of fur or wool. It doesn't seem like a stretch to say "synthetic angora". Why state that an unknown product doesn't exist? Finally, in reading Automatic Swiping I can't help be reminded of reading AI generated text that doesn't quite make sense. I hope that you try your own automatic swiping.
I wrote this sad poem about adult life on my cell phone during an evening pandemic walk in 2020.
Send me your ideas and I may add them to another list poem.